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<h2>Ornament&crime</h2> <h3>by Maxim Velčovský for Qubus design (2001) </h3> <p>One of the main line of Maxim Velcovsky work is a loss of unicity. He achieves it in a way of working with a principle intellectual game and in Kundera's s sense of the word also with a transformation of sense. Maxim chooses familiar articles, generally perceptioned with an accent of banality or by contrast an oportunity and its aesthetic quality underlines up to pop-art style. As one of few young designers he uses ornament and openly reacts to social-political stimuli. Ornament is used by a traditional way, but it would not be Velcovsky to advance a change of context elswhere than is common. It documents also his work with salmon name Ornament and Crime /2001/, in where he is getting back to socialistic history. Velcovsky in harmony with an oficial contemporary production made busts of V.I. Lenin and the firs Czechoslovakian "working class" president Klement Gotwald. Their faces were covered by an onion pattern, which was a favourite decoration of the middle class dinner set. Radek Wohlmuth, Praha 5.5.2003 </p> <!-- verze Blue onion --> <h3>Blue onion</h3> <img alt="Blue onion" src="./pub/att/product/123/img/1071.jpg" /> <!-- /verze Blue onion --> <!-- verze Blue onion --> <h3>Blue onion</h3> <img alt="Blue onion" src="./pub/att/product/123/img/1072.jpg" /> <!-- /verze Blue onion --> <!-- verze Blue onion --> <h3>Blue onion</h3> <img alt="Blue onion" src="./pub/att/product/123/img/1073.jpg" /> <!-- /verze Blue onion -->
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